Connect a drive or drop in a folder and transcode all the material or select which folders or source types need to be transcoded.
Choose a codec, frame rate, bit rate. 16 bit RGB workflow ensures high quality results. Accurate control of bit rate for H.264 encoding.
When creating MP4, MOV or MXF, audio is read from MOV, MXF and DPX+WAV sources.
Add a CDL file to apply slope, offset, power and saturation
Add a 16, 17, 32, 33, 64 or 65 point 3D LUT to convert Log material to REC709 or to apply a creative grade
Add a matrix to convert to REC709
Transcode at original size or up-res or down-res to a new size. Fit Width or Fit Height to create Letterbox or pillarbox with blanking.
Output to 10 or 16 bit DPX or ProRes 4444 for online workflows.
YoYottaID can add audio channels when transcoding DPX image sequences to H.264 or ProRes. Put the audio WAV file into the same directory or the directory above and give it the same name as the DPX file prefix. Use a . or _ to separate the sequence name from the sequence framecount. Here the sequence name is 4P_01-1.new.0100 and the frame count starts at 86420. Other examples would be VFX174.090000.dpx with VFX174.WAV or Clip1_090000.dpx with Clip1.WAV
Use the YoYottaID Conform option as a source for the Transcode. Easily create over-length selects from the source material for online.
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